Month: August 2009

Baking… & ‘Breaking’ Bread

Usha Raman If there’s any motif that is close to being universal, it is bread. Roti, pao, pan, pita, pain… and a hundred other names (at least) are used to describe this most basic of foods, but the role it plays within a meal, on the table, in the culinary traditions of the world, is unmatched. Planning a project on bread may at first seem to be a case of biting off more than one can chew, but even a thin slice of the loaf should offer rich intellectual repast (if one will forgive the over-use of metaphor!). The obvious place to begin would seem to be the product itself. Ask the children to talk about what they have brought to lunch. You should get a variety of answers, and some of them may include some form of bread, ranging from the ever-popular sandwich to the alu paratha or puri. Most of us may have a limited definition of ‘bread’, taking it to be only that which is baked in an oven and shaped like a loaf – but indeed, bread comes in a variety of shapes, sizes and forms, and only some of it is baked in a conventional oven. But more about that later. From their lunch boxes, travel outward and outfield to prompt them to think about how bread is made, the different names it is known by, how it is served and eaten, idioms and phrases associated with it, and stories where bread plays an important role. You’ll probably end up with a chaotic discussion that goes all over the place, and it will be quite a task to contain it within the confines of a single subject. But isn’t that what a project is all about? This would be a good way to set out the various directions this project will take and give the students an idea of all the activities and topics they will have to engage in over the next few days. It might help if a small group of teachers could brainstorm this together and see how they can divide the project work into discrete classroom units, spread over several subjects. The ideas given here can be worked into different curricular areas. The more obvious ones are science (yeast as a leavening agent, oven design and baking bread, nutrition, etc.), history and geography (cereal production and the kinds of bread made across the world, ceremonial and celebratory breads, the history of bread making), and language (origins

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Baking… & ‘Breaking’ Bread

Usha Raman If there’s any motif that is close to being universal, it is bread. Roti, pao, pan, pita, pain… and a hundred other names (at least) are used to describe this most basic of foods, but the role it plays within a meal, on the table, in the culinary traditions of the world, is unmatched. Planning a project on bread may at first seem to be a case of biting off more than one can chew, but even a thin slice of the loaf should offer rich intellectual repast (if one will forgive the over-use of metaphor!). The obvious place to begin would seem to be the product itself. Ask the children to talk about what they have brought to lunch. You should get a variety of answers, and some of them may include some form of bread, ranging from the ever-popular sandwich to the alu paratha or puri. Most of us may have a limited definition of ‘bread’, taking it to be only that which is baked in an oven and shaped like a loaf – but indeed, bread comes in a variety of shapes, sizes and forms, and only some of it is baked in a conventional oven. But more about that later. From their lunch boxes, travel outward and outfield to prompt them to think about how bread is made, the different names it is known by, how it is served and eaten, idioms and phrases associated with it, and stories where bread plays an important role. You’ll probably end up with a chaotic discussion that goes all over the place, and it will be quite a task to contain it within the confines of a single subject. But isn’t that what a project is all about? This would be a good way to set out the various directions this project will take and give the students an idea of all the activities and topics they will have to engage in over the next few days. It might help if a small group of teachers could brainstorm this together and see how they can divide the project work into discrete classroom units, spread over several subjects. The ideas given here can be worked into different curricular areas. The more obvious ones are science (yeast as a leavening agent, oven design and baking bread, nutrition, etc.), history and geography (cereal production and the kinds of bread made across the world, ceremonial and celebratory breads, the history of bread making), and language (origins

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Science of Colour

The concept of colour requires an understanding of several basic concepts in optics as well as light perception from a biological standpoint. By the time students are in middle school, they are becoming familiar with the idea that light travels at a specific speed and that this speed depends on the medium through which it is travelling. Variations in the speed are perceived by the eye in several ways. For example, when light goes through a transparent substance such as water or glass, it gets bent slightly. This is due to the fact that light travels much more slowly through these substances than it does through air. When it goes from one medium into the next, the slowing down (or speeding up) causes it to change direction, so that the rays are ‘bent’. This is similar to what happens when a stone is thrown into a pond. You may have thrown it at a certain angle, but when it hits the water and sinks, it does not continue to travel in the same angle as it hit the water, but slows down and travels down in an altered angle. Adapted from an article that appeared in Teacher Plus, July/August 1995 This is an article for subscribers only. You may request the complete article by writing to us at editorial@gamart.in.

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May the Best Man Win

S Upendran “I was the best man at the wedding. If I’m the best man, why is she marrying him?” – Jerry Seinfeld Good question Jerry. If you are the best man, why is the girl marrying your friend and not you? The groom may not have a face to launch a thousand ships, but shouldn’t the poor bloke be dubbed ‘the best man’ at least on his wedding day? Why has a groom, for several centuries now, always had the best man standing next to him at the altar? Shouldn’t the groom be the cynosure of all eyes? Instead, he chooses to share the limelight with another male on this very important day! Doesn’t really make sense, does it? Well, it does once you get the lowdown on how weddings were performed several centuries ago. In the not so good old days, men usually married women from their own village. But sometimes it so happened that there weren’t any eligible girls around. What did they do then? Unlike parents in India, they didn’t hand over their horoscope to the priest/friends and ask them to find a suitable girl from the next village. No, the European men took matters into their own hands; they found a girl for themselves. What you have to remember is that strangers weren’t welcome in villages those days; so there was no chance of a man going to the next village on an everyday basis and wooing the woman of his choice. Romance was just out of the question. When a man wanted a woman, he had to do what a man had to do! He had to find a girl, grab her as quickly as possible and make a run for it. In other words, he had to kidnap her. Easier said than done of course. Though movies make it look simple, kidnapping is not easy business – especially when you don’t have a car to dump your victim into. It’s difficult to grab hold of someone on your own and then force her to walk back to your village. The groom needed help to pull this off. He needed someone who was strong, who knew how to fight and whom he could trust. He needed to figure out who the ‘best man’ for this not so delicate job was! The original ‘best man’ was someone who aided his friend in kidnapping a girl; the dude was a partner in crime. This explains a lot of things. It tells

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Body Machine

Padmasini Ranganath Understanding the human body in its entirety can be difficult for children who are often overwhelmed by the complexity of the whole. One way to simplify it, yet indicate the extent of its complexity, is to compare it to a machine with many different parts, each with a different purpose and structure. This article draws a parallel between the body and a machine. Human beings and machines are somewhat alike. They are both very complicated, each does a lot of work, each needs care and each wears out. But will man ever be able to build anything as wonderful as the human body? There is so much about it that we do not fully understand or appreciate. The one thing we do know is that the human body requires more care than a machine if it is to remain in a good condition for seventy or eighty years. (Extracted from Teacher Plus, Nov-Dec, 2001) This is an article for subscribers only. You may request the complete article by writing to us at editorial@gamart.in.

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The Teacher Plus Photography Contest!

Do you see things from an interesting angle? Do you believe that pictures can tell stories that words often miss? Here’s an opportunity for you to give your interest in photography your best shot. Teacher Plus calls for entries to its first photography contest. Entry is open to all amateur photographers. Photographs Must Fall into One of the Following Themes: A Teacher’s Life Photpgraphs capturing any aspect of teaching—in the classroom, in the staffroom, or preparing for class. Class Action Scenes from inside the classroom—teachers and children interacting within the classroom or in an educational setting in school. Photographs may be submitted either digitally (emailed in either tif or jpeg format) as high-resolution files or as 8X10 glossy prints (mailed to Teacher Plus at our editorial address). Photographs Must be Accompanied by the Following Details: Name of photographer, camera used, category (theme) the photograph represents, and location. If the photograph represents clearly identifiable persons, consent must be obtained and evidence of this must accompany the photograph. Each photograph must have a short descriptive caption. The top photograph in each category will receive a cash award and a citation, while all entries will become part of the Teacher Plus photo bank, and if published in the magazine or used on the web site, will receive credit and payment. Deadline for Receipt of Entries: December 15, 2009 Additional details may be obtained by emailing us at editorial@gamart.in You Can Write to Us at: Teacher Plus, A15, Vikrampuri, Secundrabad-500 009, India or Call Us at 040-27807039

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