Use of CCE in English classrooms

Lina Mukhopadhyay In the present age, we need to impart language education in a way that learners find it meaningful and beneficial. Learners will be convinced of the benefits if they are able to use the target language (here, English as a second language) to communicate successfully. One of the ways of enriching language education is to use assessment in an ongoing form and capture learner growth. This assessment form, most often, would require learners to use the target language in an array of real life contexts with reference to specific language skills such as reading and writing. Continuity in use of the target language through ongoing assessment procedures can assure learners of an immediate language gain. Let us try to understand how this language gain might take place with the help of an example. Imagine two instances of language use through two types of language assessments: in one, learners in the secondary level are asked to perform on a timed, objective item-based, short language test; in the other the same group is asked to perform on an extended language assessment in class where they have to read a text on the pros and cons of using social networking sites for present age communication. After having read the text, the learners would have to express their opinion on the same topic in a group. This assessment will not be strictly timed and can span over a few lessons interspersed with teacher’s assessment and feedback, learners’ opinion on the group discussions and so on. To evaluate the degree of usefulness of these two types of language assessments, we can pose the following questions: In which context is language use going to be more? Where is language production going to happen in a relatively easy and less anxious manner? Which assessment mode are the learners likely to find more useful? The answers to all the three questions will undoubtedly be pointed to the second case of assessment. So, from this short example we can suggest that when language assessment is done in an ongoing and communicative manner, it requires learners to use language for real-life communication and promotes learner-centeredness. Such an assessment mode can therefore prove to be highly meaningful and motivate learners to perform better. This in turn can increase the reliability and validity of the assessment tool and its effective use in the language classroom. In this article, we discuss the scope and significance of using an ongoing mode of language assessment termed as Continuous

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Linking assessment to learning: what does it mean?

Rama Mathew In this article, I will share some of my experiences and ideas on assessment, especially language assessment. As I write it, what I want to convey seems to vacillate between utter frustration and disillusionment on the one hand and a good deal of ‘we-can-do-it’ kind of optimism on the other. This ambivalence is not without reason. The negative feeling is largely due to the kind of summative assessments (SA) that secondary exam boards and universities conduct, year after year, with almost no research/review that feeds back into improved ways of designing and constructing such exams. It is the high-stakes, one-shot, paper-pencil exam, that invincible weapon, on which our students’ future lives depend. The optimistic note comes from the possibility of what teachers can do in classrooms to support learning through formative assessment (FA). FAs help us monitor progress in the classroom and therefore enable us to individualise the kind of support each (type of) student needs to reach the target. Since it is the individual teacher who can design and implement FA in the classroom, we can hope to do it in such a way that millions of children in the classroom can benefit from it, regardless of how good or bad the SA is. Let us first try and understand what these two types of assessment do. SAs are assessments of the products of learning which come at the end of a course and are a means to find out how well a student has met the intended objectives or goals of any instructional programme. They are meant to inform students, parents, schools/universities and others if the student has successfully completed the course of study on the basis of which decisions about the future course of action can be made. In the case of English language exams, they should be able to tell us how well the student can use the language for different purposes in a variety of contexts. In other words, they should tell us how well the students can read, write, listen and speak in English for different purposes. The author is currently the Dean of Faculty of Education at Delhi University. Her research interests include English language teacher education and assessment. She can be reached at ramamathew@yahoo.co.in. This is an article for subscribers only. You may request the complete article by writing to us at editorial@gamart.in.

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“Yes” means “No,” isn’t it?

T Sriraman Teachers and syllabus makers always come up against the problem of selection while designing remedial courses, or “bridge courses” as they were once called. While there is general agreement about the problem areas for Indian learners of English – articles, tenses, prepositions, interrogatives, word order, position of adverbs and so on – prioritising the areas that need attention often proves difficult in view of constraints of space (with regard to materials) and time (with regard to classroom teaching). I would like to look at a couple of these areas of “error” and ask whether we should include them in our programme of remediation at all, or at least whether they deserve to be high on our list of priorities. The question whether grammar should be taught at all is no longer as vexing as it was a few decades ago. There is now general agreement about the following: Grammar teaching in some form is inevitable (especially for the majority of our learners who come from regional language backgrounds). The grammar taught should be as little rule-oriented and as much use-and context-oriented as possible. Grammar is best taught not in isolation but in conjunction with other language skills, especially writing skills. The focus should be on production rather than on transformation of sentences. The development of accuracy need not take place at the cost of fluency. The areas I propose to consider however seem to demand a high and conscious level of accuracy if our target is the acquisition of native-speaker like competence. Strict adherence to the “rules” here is clearly felt to hamper fluency while not necessarily facilitating clear communication. The author is a retired faculty member of The English and Foreign Languages University, Hyderabad. This is an article for subscribers only. You may request the complete article by writing to us at editorial@gamart.in.

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Rage, rage against the dying of the light

Malini Seshadri You are a teacher of English and you are visiting another school. The students are strangers to you. You have just asked a senior class to write out their answers to this question: How is the sex of a child determined in the womb? They have no idea what kind of answer you are looking for. You may receive an answer like this: In the prenatal period, sex determination and differentiation occur in a series of sequential processes governed by genetic and environmental factors. OR like this: In the womb, a few weeks after conception, an embryo will form ‘proto-gonads’. Several weeks later, those proto-gonads will take one of two paths to become either testes or ovaries. This will determine the sex of the foetus. OR like this: Deep within my cells, a muffled detonation of one of my chromosomes triggered an unstoppable and irreversible chain reaction. A new genetic force pulsed through my miniscule body, throwing one switch after another and resetting the coordinates of my embryonic voyage. Cells within my body laid aside one set of genetic instructions, unrolled another blueprint, and set to work altering my small anatomy. Seven and a half months later I was pushed out from my warm home into the blinding white light of the world. The very first words I ever heard defined what I had become: ‘It’s a boy!’ All are in perfectly correct English. Let us assume that all of them answer the question satisfactorily. As a teacher of English, how would you assign marks to these three answers? Why? Hold that thought a minute, while I cut in here with a confession. I have never taught English in a classroom. Let me expand on that; I have never taught English at any time anywhere to anyone. Period. My only experience with English teaching has been from the receiving end, as a student. A couple of my teachers I remember with affection; one I remember with dread; most I do not remember at all; and one, only one, I remember with awe and unabashed admiration. Let me hasten to add, however, that my intention is not to criticise English teachers, it is to comment on the status of English teaching. Everyone I know, and therefore, by extrapolation, many, many others, have their opinions about how English is being taught in our schools, how it should be taught, and even whether it should be taught. (Let us label the latter group as outliers and

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Poetry: Soul food for learners

Ananthajyothi A few weeks ago a student came up to me and asked: “Do we need to study poetry?” This was no existential question; he just wanted to know if he could skip poetry for the forthcoming exams. While younger students often enjoy rhyme, rhythm and imagery in the poems they memorise in their language classes, as they get older, students begin to think of poetry as a redundant part of the syllabus with little relevance to their lives. So the question keeps coming back: Why do we need to study poetry? Why should one study science? It would seem an absurd question to ask. Many people are readily able to see why it is important to study science. And yet relatively few see the need to study poetry. Given the complexity of poetry encountered in our later school years, a sizeable population would like to vote it out of the educational system. Even as I search for answers to this question posed by many a student, I am convinced of the deep necessity of engaging with poetry. In this article I would like to share my perspective, and an experience, that makes poetry central to my life, and leads me to think that studying poetry is perhaps part of learning to become human. I feel that we need to study poetry because it can freeze a moment in life. It can express the depth of that moment in a few words. In doing so it can kindle deep emotions that you did not even know existed within you. A poem can revolutionise one’s way of thinking and being. When I first read Gillian Clarke’s Lament, the impact of war hit me in the face like never before. It evoked many images and in a flash I could see how the nature of war had changed in some ways and yet had remained unchanged in others. It had changed in that war is no longer about values of ‘heroism’. It had not changed in that animals did not matter in war. I was thinking of disparate poems from across cultures. Perhaps it is not a scholarly thing to compare ancient poems from India to a modern poem from England. But these connections existed in me and it startled me that I had made these connections in a flash. War has long figured as a theme in poetry. In fact, the two great epics of India, The Ramayan and The Mahabharat are based on war. Even

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Questioning literature in school

Bubla Basu “The fault, dear Brutus, lies not in our stars, but in ourselves, that we are underlings,” (Act I, Scene ii, Julius Caesar). Even as we make a ritual of blaming the syllabus and the powers that be, every teacher of English who reads this quotation, (even those who take pride in top examination candidates) should ask whether he/she has opened windows to worlds beyond the immediate, for that, in essence is where literature should lead us. There is no question about whether literature should be taught in school. The point is whether we allow ourselves to actually teach it when we subject the works of the world’s greatest writers to a series of questions like “who said what to whom and when?” and “where does this scene take place and who else is in it?” A CBSE examination question on Shelley’s Ode to the West Wind asks, “What colour were the leaves?” This illustrates that the poetry that we teach in school is more a demand for absurd memory testing and mathematical accuracy than any real exploration of the text. Questions, whether asked in class or at the examination level have very little to do with interpretation, and the occasional “give your opinion of…” question is worth hardly two marks while a recall question may be worth even four. Grown-ups love figures. When you tell them that you have made a new friend, they never ask you any questions about essential matters. They never say to you, “What does his voice sound like? What games does he love best? Does he collect butterflies?” Instead, they demand: “How old is he? How many brothers has he? How much does he weigh? How much money does his father make?” Only from these figures do they think they have learned anything about him. (The Little Prince – Antoine de Saint Exupery) At this rate, the world’s greatest works may as well be substituted with popular fiction like JK Rowling’s Harry Potter, where probably the only questions worthy of asking are on the lines of “where does this scene take place and who else is in it?” or “what colour was the potion?” The language of such books is “simple” and (despite the criticism of not being considered “original,”) can still be considered “creative.” This would perhaps satisfy the argument that studying literature in school should be “easy” and “fun” – and ultimately, at the examination level, “scoring.” The truth to be acknowledged here is that literature

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To master a language

Sheel English occupies a special place in India: a language that came to us from a different land, it is one that began to be taught in our country even before it became a subject of study in the country of its origin, one that became a link between different regions of our country, one whose study is deemed so important today that most Indians aspire not only to learn the language but also to use it in their ordinary, everyday lives. If many of us today find ourselves far more at ease with English than with our own languages, and often read and enjoy the literature(s) of our colonising ‘mother’ country and other countries, including our own in English translation with far more enjoyment than we do our own languages, it is because of having had not just competent but adept teachers who took great pains to ensure their wards’ mastery over the language. Unfortunately, with the great demand for English and the proliferation of “English medium” schools, the standards have fallen. Examining the way English (or any other language, for that matter!) is taught in our schools today, one major problem that I see is that literature and language are viewed as two different areas of learning that need separate lessons, and as often as not, different teachers are assigned to teach English literature and the complex structures of the language (which are commonly designated ‘grammar’ or ‘grammar and vocabulary’), particularly in the higher classes. In my opinion, the separation of language lessons from literature is an artificial one that negatively affects children’s understanding of the language, and is responsible for the lack of fluency in many learners of English. To elaborate further, some of the key assumptions that I find involved in the separation of language and literature lessons are: one, that the structure of a language and its literature can be taught/learned independently of one another; two, that language can be better understood and used by learning the rules behind its complex structures; three, that while literature uses words in different ways, it is not necessarily a fit medium to examine and study the structure of language; and four, that therefore the two may with no trouble be assigned to separate instructors with different kinds of competencies. The author is a writer and editor who also conducts workshops for teachers and children. She may be reached at sheel.sheel@gmail.com. This is an article for subscribers only. You may request the complete article

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Soft-footing into poetry

Venkatesh Onkar
Poetry helps a child’s imagination blossom. And the best way to teach young kids poetry is to allow them to intepret a poem and discover its richness for themsleves with the teacher intefering only if necessary.

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The many paths to language

Kavita Anand
The teacher of English has at her disposal several different methods to teach the language. However, in a country like India, her methodologies also have to take in to account the multilingual nature of this country and use that to her advantage.

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Valuing our multilingual heritage

Geetha Durairajan
In a language rich country like India, forcing children to speak only in English is definitely not the way to go about teaching them the language. Teachers need to have an open mind and understand that English is only one of several langauges in this country.

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